Reviews and commentary on Revolutionary Tides

Follow these links to various reviews and articles on the Revolutionary Tides exhibition and the Crowds project.

"Revolutionary Tides: The Art of the Political Poster, 1914–1989" focuses on the turbulent years of the first half of the 20th century, bringing together more than 100 of the most exceptional examples from the vast poster collections of the Hoover Institution at Stanford and The Wolfsonian — Florida International University in Miami Beach. Jeffrey T. Schnapp, director of the Stanford Humanities Lab, is the guest curator for the exhibition, which is accompanied by a catalogue entitled Revolutionary Tides, published by Skira.

"Revolutionary Tides" presents posters from such diverse settings as New Deal America, the Soviet Union of Stalin’s Five-Year Plans, China's Cultural Revolution, the protest movements of the 1960s, and Ayatollah Khomeni’s Iran. The exhibition features work by world renowned graphic artists such as John Heartfield, Gustav Klutsis, and Xanti Schawinsky and includes art ranging from an illustration depicting "Freedom of Speech" by Norman Rockwell to silkscreened portraits of communist leader Mao Tse-Tung by Andy Warhol.

Posters, a distinctly modern medium of mass communication and persuasion, served as a laboratory for the development of graphic conventions for depicting the masses as political actors. The emergence of a politics founded upon principles of popular sovereignty shaped new images of the masses as a collective force. At the same time, the new art practice of the popular poster shaped the emerging politics and cast artists in the role of mass communicators.

The exhibition is organized into three broad areas — Figures, Numbers, and Symbols — each of which surveys a particular graphic convention, iconographic element, or theme. "Figures" analyzes the graphic vernacular of 20th-century political poster art, such as the presentation of crowds arrayed as fronts or geometrical figures and their abstraction into seas or decorative patterns. "Numbers" emphasizes the intimate ties between modern notions of political power and ideas of quantity, including statistical data, industrial production, and large-scale construction and destruction. "Symbols" is devoted to examining the interaction between the image of the crowd and icons representing the group, such as party emblems, faces of leaders, or exemplary men or women from the masses.